"Disney’s NEWSIES" at Stages St. Louis is a high-energy, super-spirited triumph of rebellion and rhythm

If you’re the kind of person who only reads a tabloid-style, 120-point, above-the-fold banner recommendation when deciding whether to see a new show, then that headline for Stages St. Louis’s current production is: ‘Disney’s NEWSIES’ Delivers!

If you need a second deck to convince you, then consider: ‘Disney’s Newsies’ Nails It With Charismatic Casting, Exuberant Choreography and Evocative Set Design.

If that doesn’t convince you, then read on.  “Disney’s NEWSIES” is a high-energy spectacle that revels in the bustling streets of 1899 New York, where a band of scrappy, urchin-y newsboys challenge the city’s political machine and the powerful press baron Joseph Pulitzer. Echoing through this excellent production, insightfully directed by Steve Bebout, are whispers of “Oliver Twist” and “Oliver,” “Rent,” “Les Misérables,” “Gangs of New York” “Dead End Kids,” “Bowery Boys” and, yes, even “Annie.” Those references in no way detract from, but rather enhance the stomping-good experience that Bebout and choreographer Lindsay Joy Lancaster have created.

Adapted from the 1992 Disney film (a commercial flop that eventually gained a popular and enduring fan base), this musical, which debuted on Broadway in 2012, is a classic underdog story littered (in a good way) with triumphant anthems, explosive choreography and topical storytelling that’s an outlier in the Disney universe.

The first indication that this Stages production is something special occurs before the opening number, with the cinematic projection of newspapers impressionistically rolling through printing presses. This impressive effect by Saki Kawamura demonstrates how projection design can effectively borrow from filmmaking techniques and create an enhanced, elevated and immersive live theater experience. Throughout the show, Kawamura’s projections contribute to the set’s engaging, nostalgic world of the newsies.

Ann Beyersdorfer’s imposing multitiered set, resembling an industrial printing plant, provides a dynamic backdrop for the action, while Brad Musgrove’s costumes evocatively capture the gritty-yet-hopeful spirit of characters. They also stay on the actors during some very robust dancing and still look great. That can’t be easy.

Alan Menken’s music and Jack Feldman’s lyrics encapsulate the hard-sell tactics of the hard-knock-life of the newsboys trying to support themselves by hawking “papes” on the city streets. The songs, whether rallying cries for justice or teary ballads (très Disney), are all delivered by the talented cast with urgency and determination.

One of the most notable aspects of this show is its choreography, masterminded by Lindsay. It brims with raw vitality and commands attention with its relentless display of energy that reflects the indomitable spirit of the newsboys. One could almost lose weight just watching those urchins undulate.

The refreshed dance numbers are a visual feast, with acrobatics, pirouettes and kick lines that showcase the cast’s athleticism and skill. You might not think that break dancing backspins would work in this context, but Lindsay ensures they are integrated seamlessly.  Numbers like “Seize the Day” and “The World Will Know” are particularly electrifying, with the newsies executing complex routines that are as thrilling to watch as they are physically demanding.

The heart of this musical lies in its characters, particularly the charismatic leader Jack Kelly, played by Daniel Marconi. His portrayal of Jack is compelling with a confident-yet-humble charm that begs comparison to Jimmy Stewart and Henry Fonda. He brings a natural star quality to the role, effortlessly holding the stage with his strong presence and powerful voice. His rendition of “Santa Fe” is a standout moment, capturing Jack’s longing for a better life and his love for his fellow newsies. The reprises of this song remain just as captivating.

Taylor Quick shines as Katherine Plummer, the plucky reporter who becomes Jack’s love interest and ally. Quick’s performance is a delightful blend of spunk and sophistication, and her voice is both strong and sweet. Her solo “Watch What Happens” is a refreshing change of pace from the show’s high-octane numbers. Quick’s portrayal adds depth to Katherine’s character, making her more than just a love interest but a key player in the narrative.

The supporting cast is equally impressive, strong and well cast. Each member contributes to the show’s sense of unity and purpose, reflecting the theme of solidarity that runs throughout the musical. The ensemble, composed of talented dancers and actors (including young performers Davin Wade and Kyle Holmes), elevates the production with their cohesive and energetic performances.

Richard Spitaletta as Davey and Matthew Cox as Crutchie bring warmth and authenticity to their roles, while Christopher Gurr’s portrayal of Joseph Pulitzer adds a touch of villainy to the story. As Crutchie, Cox shows impressive range, from being physically attacked during a strike demonstration to sweetly writing a letter (in song) while in detention.

Anita Michelle Jackson brings warmth and vivacity to vaudeville theater owner Medda Larson, with a strong, soulful singing voice and a commanding stage presence that captures the duality of the character’s nurturing spirit and sassy charm.

Governor Teddy Roosevelt’s name is invoked numerous times throughout the show, but that doesn’t lessen the moment Patrick Blindauer confronts Pulitzer in the final act. The mutton-chopped Blindauer gives an outsized, bully-good performance for the short time he’s on stage.

“Disney’s NEWSIES” excels in its ability to blend historical events with a contemporary sensibility, and Bebout and his team ensure that it evokes nostalgia while remaining relevant. The musical balances the darker aspects of the story, such as the exploitation of child labor and the harsh realities faced by the newsies, with themes of hope and triumph. This show is an inspiring tale for audiences of all ages. In an era dominated by modern tales of zombies, teenage vampires and not-so-marvelous heroes, “Disney’s NEWSIES” is a reminder of a simpler time when young heroes stood up for their beliefs without resorting to violence.

"Disney’s NEWSIES” runs through August 25 at The Ross Family Theatre at the Kirkwood Performing Arts Center. Visit the website for more information.