Stages St. Louis’ “Ragtime” captivates with exceptional cast and production values

There’s much to admire and recommend about this production of “Ragtime,” a sprawling, sweeping, richly textured musical that masterfully weaves together the lives of diverse characters at the turn of the 20th century – all set to ragtime rhythms, soaring ballads, and vibrant anthems to capture the cultural and social shifts of the era.

If you know “Ragtime” you probably know that already. What may surprise you is how dynamic, engaging and all-together satisfying this Stages production is. And doubly so considering this is the biggest, most complex musical that Stages has put up in its almost 40-year history.

But size and complexity aside, this production, directed by Deidre Goodwin, crackles and resonates with performances that offer a poignant mix of hope and reflection – a feeling that continues to resonate long after the curtain call. The cast, top to bottom, delivers the deep struggles and enduring resilience of their characters. Their superb performances bring to life the musical’s examination of justice and equality in America.

Tamar Greene delivers a powerhouse Coalhouse Walker Jr., the proud, talented African American pianist who ignites the story’s central conflict. Balancing Walker is Shereen Pimentel’s equally strong Sarah, and their duet, “Wheels of a Dream” is one of most affecting moments in this production.

Brian Golub delivers a nuanced Tateh, the determined Jewish immigrant and artist. Marissa McGowan’s engaging Mother is believably compassionate and forward-thinking. Matthew Cox’s Younger Brother vividly traces the character’s evolution of the idealistic young man who becomes radicalized in his search for purpose and justice. And Scott Moreau as Willie Conklin, the character you love to hate, delivers the character with uncomfortable authenticity.

Beyond the lead characters, Whit Reichert’s Grandfather is a charming curmudgeon, Omega Jones’ Booker T. Washington has gravitas and Jonathan Cobrda’s Harry Houdini is freewheeling and unconstrained.  

Set and lighting design by Robert Mark Morgan and Sean M. Savoie, respectively, reveal a high production quality. Walker’s Model T Ford is especially well done in this production. Brad Musgrove’s splendid costume design visually reinforces the themes of race, class and identity.

“Ragtime” continues through October 20th in the Ross Family Theatre at the Kirkwood Performing Arts Center. Visit the website for more information.